The basilica turns out to be a prime example of how my attempt to balance seeing the world through a viewfinder with listening to the tour guide closely enough to catch all the relevant details sometimes fails. I generally try to listen just enough to get the general idea, completely halting my photography to concentrate on the guide’s spiel only when it includes a personal story or other details I’m unlikely to learn elsewhere. I figure I can do a little research later to find out what year a building was constructed, the structure’s dimensions, and the like.
Unfortunately, the facts about some sites prove more illusive than others, with the Basilica del Voto Nacional being a prime example.
As near as I can piece together, land was donated and the first work on the basilica begun in the last quarter of the 1800s, with at least some construction beginning as early as 1892. After that, the picture becomes murkier.
Evidently construction really began in earnest in the 1920s, but the structure remains incomplete today. Or at least, that seems to be the case. The building is either incomplete or falling apart — I found it hard to tell which. (Was that niche empty because the statue has yet to be installed or because it has fallen out?)
I did hear Eduardo explain that the basilica was designed during a period of great national pride. This is obvious. At first glance the basilica looks like a typical European neo-Gothic church with intricately carved window frames, dramatic and highly detailed windows, and a profusion of gargoyles.
Looking closer, however, it is obvious that the structure is a celebration of Ecuadorian flora and fauna: Stone rosettes reflect native plants and flowers and the gargoyles depict Ecuador’s most famous fauna, including the Galapagos tortoise, sea lion, iguana, and a variety of bird life.
The Basilica dominates the skyline here, but every block offers enticing new scenes.
It makes for wonderful walking.